Monday, January 31, 2011

Brazilian artist Henrique @ BMOCA


Boulder Museum of Contemporary Art presents a solo exhibition of the work of Brazilian artist Henrique Oliveira. As part of the exhibition, Oliveira will create one of the temporary, large-scale installations from pieces of salvaged wood for which he has received international attention. Usually built from discarded weathered fencing material collected from construction sites throughout the city of São Paulo, these “tridimensionals”, as he refers to them, are immense structures that overarch the disciplines of painting, sculpture, and architecture. For the installation at BMoCA Oliveira will use locally sourced and repurposed plywood which he arranges in thin undulating layers in a gestural manner that links these constructs to Abstract Expressionism—both visually and conceptually. In addition to this installation, BMoCA will show a number of Oliveira’s acrylic paintings.

SPRING 2011 EXHIBITION OPENING RECEPTION: Henrique Oliveira and Jessica Moon Bernstein

[ February 24, 2011; 5:30 pm to 10:00 pm. ] Celebrate the opening of our Spring 2011 exhibitions featuring the work of acclaimed artists Henrique Oliveira and Jessica Moon Bernstein.

Saturday, January 29, 2011

Thursday, November 18, 2010

'Kykkeliky' By Gabriel Dubois

The fusion of both old and new, rural and urban can be seen in the abstract work of Gabriel Dubois. Elements which can be explained by influences from his background. Growing up in Van, Canada and spending a lot of time in his father’s painting studio, while also being fascinated in particular by his neighbourhood of Chinatown. During his childhood and teenage years he was fascinated with hand painted signs and in general with what he calls “the leftovers of the East Side”; added to that his years of skateboarding, his involvement with graffiti, Dubois had an interesting mix of influences from early on. Once he moved on and started to travel the world in places like Sri Lanka, India and Japan he started to also become interested in the visual language of these environs, further informing his vast well of inspiration.

The works themselves indirectly mirror these references. The painted ground is layered with bursts of expression covered over with delicately articulated lines and a keen sense of colour. At times there are clippings out of old magazines, applied directly onto the wooden panels and incorporated back into the ground of the painting, thereby juxtaposing photographic imagery within layers of organic expression. The use of collage and paint application bring forth a certain form of disjunction; the images having been extracted out of their historical and contextual bindings of print thereby subtly referencing their own representation, the cultural moment they contain and the reproduction of it.

In this recent selection of paintings his distinct visual language of energised signifiers and symbols are delivered with delicately articulated lines that wrap, weave and totem themselves through and around colour-coded compositions emitting a fresh momentum. These synthesized seeds are fertilized amongst bright bursts of expression & delicately assembled collage which are planted by chance & grow autonomously through a constructive/ deconstructive process. finally they are fabricated & refined in an accurate mechanical order.

For his debut solo show at StolenSpace, Gabriel Dubois has been preparing a new body of work since arriving in the East of London last September. Realizing there was no shortage of materials to be found in his new environment, Gabriel has continued working on his surface of choice, salvaged wooden panels. Along with works on paper he will also be creating a street sourced installation as well as an edition of limited screen prints.